If coochicooable was a word, it would fit the Indian Silverbill
My first memories of fellow Ogre Sahastra are tied to a photograph he posted in the Infosys photography club. The first was of a group of tiny, brown birds with beautiful conical beaks shining like metal, perched on a plant reduced to sticks by harsh summer. And the bird’s name sounded like a wind chime tinkling.
If ‘coochicooable’ was a word, it would fit the Indian Silverbill
Immediately, I was intrigued by the Indian Silverbill or White-throated Munia (Euodice malabarica) and recognized it the moment I saw it in Mysore. The birds, always in a flock, perched on tall grass stalks, flitting from one to another, stealing an occasional private moment to plant tiny kisses on each other.
The Indian Silverbill blends into its surroundings thanks to its dull plumage
Since then I have seen them everywhere in small groups, feeding on tiny seeds of grass in scrublands. Often, their small size renders them invisible — they are even smaller than sparrows — and when you step into the grass, you can see ten or twenty suddenly take flight, making soft cheeping noises.
The birds huddle close and whisper gossip
At times they huddle together on a single stalk perhaps to share body heat in a cold breeze, or face each other and peer at something far beyond, their tiny eyes tinkling.
Sandeep Somasekharan (or Sandy as friends call him) took his headlong plunge into photography with a three-megapixel Nikon point-and-shoot he purchased in 2003. The avid reader and an occasional scribbler started enjoying travel and nature more as he spent more time photographing. Meeting Beej in 2008 helped him channel his creative energies in the form of essays and nature photographs that he started publishing on the Green Ogre. Sandy loves to photograph birds and landscapes, and considers photography and writing as his meditation.
He is an engineer by education, IT professional by vocation, and a hopeless dreamer since creation.
Sandeep Somasekharan (or Sandy as friends call him) took his headlong plunge into photography with a three-megapixel Nikon point-and-shoot he purchased in 2003. The avid reader and an occasional scribbler started enjoying travel and nature more as he spent more time photographing. Meeting Beej in 2008 helped him channel his creative energies in the form of essays and nature photographs that he started publishing on the Green Ogre. Sandy loves to photograph birds and landscapes, and considers photography and writing as his meditation.
He is an engineer by education, IT professional by vocation, and a hopeless dreamer since creation.
Sandeep Somasekharan (or Sandy as friends call him) took his headlong plunge into photography with a three-megapixel Nikon point-and-shoot he purchased in 2003. The avid reader and an occasional scribbler started enjoying travel and nature more as he spent more time photographing. Meeting Beej in 2008 helped him channel his creative energies in the form of essays and nature photographs that he started publishing on the Green Ogre. Sandy loves to photograph birds and landscapes, and considers photography and writing as his meditation.
He is an engineer by education, IT professional by vocation, and a hopeless dreamer since creation.
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